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IBUK Libra
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Author
zbiorowa Praca
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Year
2010 - 2019
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Country
Poland
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English
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Temat: Contemporary art ; 艁贸d藕 ; Love ; Theater ; Music ; Paintings ; Globalization ; Databases ; Set design ; Hybridity ; Exclusion ; African Art ; Exhibition ; Modernism ; Myth ; Visual anthropology ; Intercultural symbolism ; Craft ; Drugs ; Shoah ; Eternity ; Margins ; Postmodernity ; Discourse ; Decline of metaphysics ; Alienation ; Disillusion ; Enstrangement ; 袨褋褌褉邪薪械薪懈械 ; Verfremdung ; D茅paysement ; Perimeter-peryferium ; Das Unheimliche/the uncanny ; Center ; Periphery ; Contemporary artist ; Miros艂aw Ba艂ka ; Zbigniew Libera ; Transcendence ; Secularization ; Modern iconoclasm ; The role of the margins in the study of art ; Surrealism ; Occultism ; Fascism ; Imagination ; Altered states of consciousness ; Visionary art ; Extrasensory images in art ; Transposing works of art ; Scenography ; History of theater ; Digital cinema ; Interactive film ; Computer game ; Participatory culture ; Mail art ; Net ; Network ; Archive ; Art documentation ; Post-conceptual understanding of art ; Alternative scene ; Computer culture ; Narratives ; Cultural metissage ; Andean Baroque ; Mestizo style ; Hybridity of culture ; Feather art ; African-American ; 鈥淣ew Negro鈥 ; 鈥淗arlem Renaissance鈥 ; Photography ; Modern art ; Murals ; 20th century ; 鈥渁s though鈥 ; Marginalization ; Blasphemy ; Irreligion ; Religion without religion ; Offending religious feelings ; Unbelief ; Contemporary aesthetics ; Philosophy of life ; Herstory ; Depth psychology ; Symbols of death ; Art ; Chlanda ; Tango of Death ; Sketch/triptych ; Death camp ; Margin of Life ; William Blake ; Feminism ; Postfeminism ; Judy Chicago ; Feminine aesthetic ; Women鈥檚 art ; Vanessa Beecroft ; Toxic Tittes ; Iber ; Post-socialist city ; Gentrification ; Redevelopment ; Revelation ; Mountain climbing expedition ; Man
Margins and Marginalization The concepts spelled out in the title Margins and Marginalization usually carry negative connotations. They are associated with having to live outside the main current of events, or with the peripheral and thus inessential aspects of an artwork. Such an understanding assumes a sharp division into major, central, important elements, and minor or marginal ones. However, the validity of such division has been questioned by some contemporary theoreticians and artists. Its arbitrariness and relativist character had been also pointed out in the past. The aim of the 2014 volume is to investigate the occurrence of the titular concepts in the theory and practice of both old and contemporary art. We wish to examine different conceptualizations of margins and marginalization and we are open to a broad range of approaches to his topic.
Dost臋p do tre艣ci elektronicznej wymaga posiadania kodu PIN. Po odbi贸r kodu PIN zapraszamy do biblioteki.
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E-book
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Temat: Contemporary art ; Modernism ; 艁贸d藕 ; Graffiti ; Theater ; Queer ; Culture ; Science ; Net art ; Artur 呕mijewski ; Jesus ; Identity ; Pragmatism ; Perception ; Conversion ; Freedom ; Turns in the humanities ; Turn ; Radical change ; Negative and positive crises ; Continuity and discontinuity in art ; Empathy ; Robert Vischer ; Performativity ; Kant ; Wilhelm Worringer ; David Freedberg ; Michael Fried ; Cultural turns ; Aestheticisation ; Aesthetic indistinction ; Aesthetic de-differentiation ; Aesthetics differen- tiation ; Death of art ; Theoretical turn in art ; Nominalism ; Feeling ; Sensus communis ; Duchamp ; De Duve ; Jacques Ranci猫re ; Zoon Politikon ; Friedrich Schiller ; Berlin Biennale ; Socially engaged art ; Visual communication ; Data visualization ; Pictorial turn ; Iconic turn ; Electronic art ; Interactivity ; Immateriality ; Electronic galleries and museums ; Technology ; Performative turn ; Paul Klee ; Performative geometry ; Motion of the lines ; Conceptism ; Conceptualism ; Contextualism ; Extension ; Intension ; Linguistic turn ; Metaphysics ; Escape from metaphysics ; End of art ; Metaphysical turn ; Visual turn ; Art of failure ; Aesthetic of reception ; Semiotic in architecture ; Colonial architecture ; Curatorial turn ; Museum ; Exhibitions ; Africa ; Decolonisation ; Post-colonialism ; Modernist architecture ; Urban regeneration ; Place promotion ; City identity ; Polish contemporary architecture ; Architectural changes ; Comics ; Visual narrative ; Self-reflexive turn ; Space in the theatre ; Stage design ; Japanese fashion ; Issey Miyake ; Yohij Yamamoto ; Rei Kawakubo ; Fashion deconstruction ; Japonism ; Imperial Academy of Arts in Saint Petersburg ; Ignacy Szczedrowski (1815鈥1870) ; Konstanty Kukiewicz (1817/18鈥1840) ; Tadeusz Gorecki (1825鈥1868) ; Academic education ; Jewish art ; Judaism ; Street art ; Aesthetics ; Immanuel Kant ; Disillusion ; Performance art ; Transformation ; Theodor Lipps ; Heinrich W艖lfflin ; Visual culture ; African Art ; Murals ; Multimedia ; Post-socialist city ; Graphic novel
Zwroty artystyczne Kategoria 鈥瀦wrotu鈥 w badaniach nad kultur膮 od kilkunastu lat wywo艂uje zainteresowanie u przedstawicieli r贸偶nych dziedzin humanistyki. Pisano wiele na temat performative turn, interpretative turn, postcolonial turn, translational turn, spatial turn, iconic turn itp. Czy sztuka jest tylko jednym z obszar贸w, na kt贸rych owe zwroty dokonuj膮 si臋, czy te偶 mo偶na m贸wi膰 zwrocie artystycznym, jako szczeg贸lnej odmianie? Sugerujemy rozwa偶enie tego zagadnienia nie tylko w odniesieniu do obecnego stanu kultury, a r贸wnie偶 przy wzi臋ciu pod uwag臋 wcze艣niejszych okres贸w dziej贸w. Proponujemy wzi臋cie pod uwag臋 szerokiego sposobu rozumienia poj臋cia 鈥瀦wrot鈥. Mo偶e ono by膰 przedmiotem rozwa偶a艅 o zasi臋gu og贸lnokulturowym, ale mo偶na r贸wnie偶 odnie艣膰 je do okre艣lonej dziedziny sztuki, np. zachodz膮cej w niej przemiany stylistycznej, czy wreszcie nag艂ej modyfikacji postawy tw贸rczej okre艣lonego artysty. Prezentujemy wi臋c z jednej strony na artyku艂y dotycz膮ce problematyki szeroko poj臋tych 鈥瀢strz膮s贸w鈥 kulturowych i artystycznych, 鈥瀦m膮cenia鈥 zak艂adanych porz膮dk贸w, jak teksty omawiaj膮ce konkretne przypadki tw贸rczo艣ci jawi膮cej si臋 jako dzia艂alno艣膰 meandryczna, przebiegaj膮ca drog膮 kolejnych turns.
Dost臋p do tre艣ci elektronicznej wymaga posiadania kodu PIN. Po odbi贸r kodu PIN zapraszamy do biblioteki.
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