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Bal-Domańska Beata
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Raszkowski Andrzej
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Sobczak Elżbieta
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Urban-Sigłowy Marta
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zbiorowa Praca
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2010 - 2019
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Poland
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Polish
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Coulombe, Nikita S.
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Zimbardo, Philip G. (1933- )
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[Gdzie ci mężczyźni? - recenzja] / Marta Urban-Sigłowy // PROBLEMY OPIEKUŃCZO-WYCHOWAWCZE. - 2016, nr 2, s. 56-58.
Streszczenie: Zawiera rec. książki: Gdzie ci mężczyźni? / Philip G. Zimbardo, Nikita S. Coulombe. - Warszawa, 2015.
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We would like to offer you a publication covering the problems of local and regional growth, in terms of both theoretical and practical aspects, and also discussing Polish and international issues. This publication is dedicated to a wide range of readers: research workers, students of economics and spatial management, and also to employees and councillors working for local governments. Regional development represents a multidimensional process, characterized by positive changes occurring in many areas of economy and society as well as in institutions and environment, which frequently remain of spatial nature. The ultitude of problems covered by regional growth is reflected in the number of topics discussed in the present publication. Regional growth issues are discussed in the context of their relations with knowledge, innovations, human and social capital and also with reference to the regional system of knowledge transfer as an important element of a regional innovation system, affecting its efficiency and ability to meet the equirements of the modern knowledge-based economy. The problems discussed in the publication often cover issues related to labor market and mainly to the situation of young people. In this area the analysis and the rating of strategic documents from selected regions are presented as well as the statistical analysis results based on a model which defines key factors determining the regional labor market situation of young people and which reveals impacts resulting from these factors. The presented soft model has a practical application in monitoring the labor market situation of young people in Polish regions.
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Temat: Contemporary art ; Łódź ; Love ; Theater ; Music ; Paintings ; Globalization ; Databases ; Set design ; Hybridity ; Exclusion ; “African Art” ; Exhibition ; Modernism ; Myth ; Visual anthropology ; Intercultural symbolism ; Craft ; Drugs ; Shoah ; Eternity ; Margins ; Postmodernity ; Discourse ; Decline of metaphysics ; Alienation ; Disillusion ; Enstrangement ; Остранение ; Verfremdung ; Dépaysement ; Perimeter-peryferium ; Das Unheimliche/the uncanny ; Center ; Periphery ; Contemporary artist ; Mirosław Bałka ; Zbigniew Libera ; Transcendence ; Secularization ; Modern iconoclasm ; The role of the margins in the study of art ; Surrealism ; Occultism ; Fascism ; Imagination ; Altered states of consciousness ; Visionary art ; Extrasensory images in art ; Transposing works of art ; Scenography ; History of theater ; Digital cinema ; Interactive film ; Computer game ; Participatory culture ; Mail art ; Net ; Network ; Archive ; Art documentation ; Post-conceptual understanding of art ; Alternative scene ; Computer culture ; Narratives ; Cultural metissage ; Andean Baroque ; Mestizo style ; Hybridity of culture ; Feather art ; African-American ; “New Negro” ; “Harlem Renaissance” ; Photography ; Modern art ; Murals ; 20th century ; “as though” ; Marginalization ; Blasphemy ; Irreligion ; Religion without religion ; Offending religious feelings ; Unbelief ; Contemporary aesthetics ; Philosophy of life ; Herstory ; Depth psychology ; Symbols of death ; Art ; Chlanda ; Tango of Death ; Sketch/triptych ; Death camp ; Margin of Life ; William Blake ; Feminism ; Postfeminism ; Judy Chicago ; Feminine aesthetic ; Women’s art ; Vanessa Beecroft ; Toxic Tittes ; Iber ; Post-socialist city ; Gentrification ; Redevelopment ; Revelation ; Mountain climbing expedition ; Man
Margins and Marginalization The concepts spelled out in the title Margins and Marginalization usually carry negative connotations. They are associated with having to live outside the main current of events, or with the peripheral and thus inessential aspects of an artwork. Such an understanding assumes a sharp division into major, central, important elements, and minor or marginal ones. However, the validity of such division has been questioned by some contemporary theoreticians and artists. Its arbitrariness and relativist character had been also pointed out in the past. The aim of the 2014 volume is to investigate the occurrence of the titular concepts in the theory and practice of both old and contemporary art. We wish to examine different conceptualizations of margins and marginalization and we are open to a broad range of approaches to his topic.
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